The movie has two other characters who get involved in Arlene's dream. One of them is named Sheldon, and he is the kind of good ol' boy who drives through the desert in a big ol' convertible, with the car on cruise control and his feet propped up on the dashboard and a can of beer in his hand.

The other one is named Brother Bud, a phony faith healer who conducts revival services in a tent outside of town. When Sheldon sees Arlene at the supermarket, he falls in love, and before long he has settled down, sort of, in her mobile home. Sheldon and Brother Bud are brothers, and Sheldon hires on with Bud to portray a guy whose sick leg gets healed every night. Meanwhile, Arlene's faith grows that the UFO will arrive at any moment.

All of these strange characters seem made for one another; they all operate on the same level of faulty logic, bruised romanticism and shattered dreams. And "Uforia" brings them together into a movie that is a series of delights and small treasures.

This is one of those movies in which you walk in not expecting much, and then something great happens, and you laugh, and you start paying more attention, and then you realize that a lot of great things are happening, that this is one of those rare movies that really has it. "Uforia" is not just another witless Hollywood laugh machine, but a movie with intelligence and a sly, sardonic style of humor. You don't have to shut down half of your brain in order to endure it.

The casting is just about perfect. Cindy Williams is the cornerstone, as Arlene, a woman whose hopes and dreams are too big for the small corner of the Earth she has been given to occupy. She doesn't know what to do when she meets Sheldon (played by Fred Ward, from "Remo Williams" and "The Right Stuff"). She likes this guy and she hasn't had a man in a long time. But, then again, she always gets her heart "broke" when she falls for a guy, and so she prays for guidance and starts on the tequila.

Ward gives a wicked performance as the good ol' boy Sheldon. He's Smokey and the Bandit with brains. He has a couple of double takes in this movie that are worth the price of a ticket. And he's not a male chauvinist pig, although everything in his background probably points him in that direction. He doesn't see Arlene as a conquest, but as just the lady he's been looking for. He gets a little tired of the flying saucer stuff, however.

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