The movie takes place in and around a Naval Aviation Officer Candidate School in Washington state. Every thirteen weeks, a new group of young men and women come here to see if they can survive a grueling session of physical and academic training. If they pass, they graduate to flight school. About half fail. Across Puget Sound, the local young women hope for a chance to meet an eligible future officer. They dream of becoming officers' wives, and in some of their families, we learn, this dream has persisted for two generations.
After the first month of training, there is a Regimental Ball. The women turn out with hope in their hearts and are sized up by the candidates. A man and a woman (Richard Gere and Debra Winger) pair off. We know more about them than they know about one another. He is a loner and a loser, whose mother died when he was young and whose father is a drunk. She is the daughter of an officer candidate who loved and left her mother twenty years before. They dance, they talk, they begin to date, they fall in love. She would like to marry him, but she refuses to do what the other local girls are willing to do -- get pregnant or fake pregnancy to trap a future officer. For his part, the man is afraid of commitment, afraid of love, incapable of admitting that he cares for someone. All he wants is a nice, simple affair, and a clean break at the end of OCS.
This love story is told in counterpoint with others. There's the parallel affair between another candidate and another local girl. She is willing to trap her man. His problem is, he really loves her. He's under the thumb of his family, but he's willing to do the right thing, if she'll give him the chance.
All of the off-base romances are backdrops for the main event, which is the training program. The candidates are under the supervision of a tough drill sergeant (Lou Gossett, Jr.) who has seen them come and seen them go and is absolutely uncompromising in his standards. There's a love-hate relationship between the sergeant and his trainees, especially the rebellious, resentful Gere. And Lou Gossett, Jr. does such a fine job of fine-tuning the line between his professional standards and his personal emotions that the performance deserves its Academy Award.
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